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A Closer Look at the Departhenon

The first film I watched in my life was the Greek epic, The Parthenon, in the 1970s. I was deeply impressed by the sculptural beauty of the Parthenon, and I was intrigued by its sex scenes, which featured actors smearing paint on their bodies and wearing masks. Its anonymous makers described it as political art and an art project. The movie’s caption describes


the sex scene as “aggressively charged with heteronormal values.” This film was a polarizing and controversial production.


The 36-minute short film Xeparthenon has sparked controversy in Greece after it was uploaded online. The film depicts two gay men having sex in front of the Parthenon and has attracted widespread media attention. The makers of the film have not been identified, but say the sex scene is a political statement against patriarchy, nationalism, and the cult of antiquity.

The Parthenon has long been a symbol of ancient Athens, and today it stands as a reminder of the glory and power of the city. It is also a symbol of decency, archeology, patriarchy, and nationalism. Regardless of its enduring popularity, the Parthenon remains one of the most recognizable structures in the world. It is one of the few remaining monuments from the ancient world that survives the test of time.


Originally a temple to the goddess Athena, the Parthenon was converted into a Christian church around AD 500. It was used as a Christian church for over a thousand years. During this time, the Parthenon was damaged and much of its original beauty was lost. Most of the metopes were destroyed, and some of the pediment sculptures were lost. Today, the Parthenon remains as it was built, but some of its original features have been lost.

The basic form of the Parthenon is a rectangular building with single-row columns on each side. The columns are Doric, the simplest form of ancient Greek column. The walls of the peristyle are supported by three steps. Columns rest on top of a wide capital that is topped by a slab of stone called an abacus. This type of structure relies on a basic post-and-beam construction that was adopted from the ancient principles of timber construction.

The east pediment of the Parthenon displays the birth of the goddess Athena. The statue was over 12 meters high and made of gold and ivory for the figure’s flesh parts. The other three goddesses were seated to the right. The statues’ postures change with the slope of the pediment. The proportions of the goddesses’ figures are striking, and the draperies are balanced and naturalistic.


The Propylaia at Departhenon was constructed around 510 BCE. It was a monumental building in the Doric order with a few Ionic columns supporting the roof. The architects of the building clearly intended to make a statement to approaching visitors. This remains to be one of the best preserved and most impressive structures in Greece. Here are some fascinating details about the building. Let’s take a closer look.

The Periclean era began the process of building the Proylaia in 437 BC. The architect of the building, Phidias, was appointed by Pericles to oversee the project, which was partly financed by the treasury of the Delian League. The architect of the Proylaia was Mnesikles. The construction was not completed until 432 BC.

In addition to the Acropolis’s main temples, the Parthenon contains a large, onterrain schaal with opmerkelijk details of vakmanschap. Among the many other important features of the Parthenon are the frontons, which depict the conflict between the goddess Athena and the god Poseidon. A central deuropening was built.


The Erechtheion, also known as the Temple of Athena Polias, is an ancient Greek Ionic temple located on the north side of the Acropolis. It was built to honor the goddess Athena. This Greek temple was known as one of the most beautiful in the world and is a must-see for all travelers to Athens. Its impressive and intricate design makes it a popular tourist attraction today.

The Erechtheion’s structure contrasts greatly with its neighbor, the Parthenon. Its front is lined with six long Ionic columns, while its back wall rises dramatically and is almost twice as high as the front. The Erechtheion also incorporates two porches, one of which is adorned with six massive female statues. The Erechtheion’s interior features an elaborate frescoed ceiling, a marble pillar entablature, and columns in the epicranitis and a decorative band of the same stone.

The Erechtheion is unique among the corpus of Greek temples, as its design is asymmetrical. This is due in part to the irregular site and evolving cults. It is also thought to be a partial fragment of a larger building. In addition to its irregularity, the Erechtheion has been subject to spoliation and change in use since its completion in the early fourth century B.C. The exact location of the temple is also a matter of debate, as it is on a hill.


The metopes of the Parthenon were 92 square carved plaques of Pentelic marble found above the columns in the peristyle of the Parthenon on the Acropolis of Athens. They were the work of several artists, with Phidias most likely serving as the master builder. Each metope was a work of art, and their inscriptions provide insight into the building’s history.

The metopes of the departhenon depict scenes from myths about Centaurs and Lapiths. Both are divine depictions of mythological figures. They serve as metaphors for the power of Greek society over the barbarous Centaurs. They also symbolize the defeat of the Persians, who are thought to have been the architects of the Parthenon’s greatness. Whether the depictions are symbolic of mythological events or depict human characters, the metopes help the reader understand the meaning behind each scene.

Metopes depict human battles and other symbolic scenes. Their sculpted silhouettes are often compared to other representations of the same themes, such as the Trojan War. Some of the figures represent men and women, and others portray battle scenes from the Peirithoos palace in Thessaly. A metope represents both the forces of order and chaos, as well as the power of belief systems.

Filming of the departhenon sex scene

Greek officials have responded to the filming of a sex scene at the Acropolis by prohibiting activism and any activities that may cause disrespect to the monument. They are also investigating whether the sex scene is a violation of a Greek law. The film’s title, “Departhenon,” is a play on words meaning “deflowering.”

According to the Ministry of Culture, the short film, “Departhenon,” was released in December. The movie is controversial because it contains several scenes that depict sex between two men in the middle of a circle on the Acropolis, in which the actors are concealed. It’s unclear why the ministry of culture deemed the film inappropriate, given that visitors to the Acropolis were nearby during filming.

Greece’s Culture Ministry slammed the decision to shoot the film near the Acropolis, saying that the producers were not granted permission to film in the area. The Parthenon is a historic archeological site and should not be abused. The ministry is also investigating the conduct of any employees of the Acropolis who assisted the filmmakers. And they’re not the only ones to be outraged.

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